Galeano On Salgado: 10
From Eduardo Galeano's "Salgado, 17 Times":
10. Reality speaks a language of symbols. Each part is a metaphor of the whole. In Salgado's photographs, the symbols disclose themselves from the inside to the outside. The artist does not extract the symbols from his head, to generously offer them to reality, requiring that they be used. Rather, reality selects the precise moment that speaks most perfectly for it: Salgado's camera denudes it, tears it from time and makes it into image, and the image makes itself symbol a symbol of our time and our world. These faces that scream without opening their mouths are "other" faces no longer. No longer, for they have ceased being conveniently strange and distant, innocuous excuses for charity that eases guilty consciences. We are all those dead, going back centuries or millennia, who nevertheless remain stubbornly alive alive down to their profoundest and most painful radiance, who are not pretending to be alive for a photograph.
These images that seem torn from the pages of the Old Testament are actually portraits of the human condition in the twentieth century, symbols of our one world, which is not a First, a Third, or a Twentieth World. From their mighty silence, these images, these portraits, question the hypocritical frontiers that safeguard the bourgeois order and protect its right to power and inheritance.